I love Miranda July. I hate Miranda July. I was totally amused by her collection It Chooses You a few years back. I was drawn to her new novel, The First Bad Man, like a car wreck that I knew I probably didn't want to see but couldn't look away from. Mostly, I admire Miranda July. She puts it out there a little bit like Lena Dunham, another brash, young artistic voice I can't entirely ignore. And I didn't hate this book as much as I thought I might.
The title comes from the role of "the first bad man" attacker in the self-defense videos produced by the non-profit that Cheryl, the protagonist, works for. Cheryl lives alone, is infatuated with a creepy board member named Philip and obsessed with the connection she felt with a baby she met when she was six that she named Kubelko Bondy. When her boss asks if her 26 year old daughter, Clee, can move in with Cheryl temporarily, the book becomes sexually charged and borderline surreal. In her review of the book, Lena Dunham wrote, "Miranda July's ability to pervert norms while embracing what makes us normal is astounding".
I almost stopped reading this book. When I saw where it was headed, I wanted to stop looking through the keyhole at bizarro-world. But the New York Times review of the book had already cautioned me that "challenging work tends to incite readerly resistance". I stayed with it until the end, shaking my head but a little in awe of the risky freshness that July makes her readers confront.
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